The imaginary adventures of musician Sans-Saëns.

Lightning streaks through the skies as Dalila declares her love to Samson in one of the finest arias of romantic opera. “My heart awakens to your voice like a flower to the kiss of dawn.” An enchanting yet treacherous beauty… When the thunder at last rumbles, Dalila betrays Samson and offers him up to his enemies: “Come up, for this time he has shown me all his heart”, she whispers to them in the night (The Old Testament, Book of Judges). Based on a violent and erotic biblical story, Saint-Saëns’s opera – composed in 1877, much to Liszt’s insistence – would not be performed at the Palais Garnier until fifteen years later. This first Parisian performance in 1892 included the hitherto unperformed “Dance Of The Priestesses”. Nevertheless, it became one of the most performed French operas in the world, together with Faust and Carmen. Conducted by Philippe Jordan, this new production brings back a repertoire masterpiece that has not been performed at the Paris Opera for twenty-five years.

The Orchestre National de France with conductor Cristian Măcelaru and cellist Sol Gabetta perform a Franco-Russian programme at the Philharmonie de Paris concert hall. Programme: Gabriel Fauré – "Dolly" Suite op. 56 (orchestration Henri Rabaud) Camille Saint-Saëns – Cello Concerto n° 2 Camille Saint-Saëns – Cello Concerto n° 1 Alexander Scriabin – The Poem of Ecstasy

A concert where German and French Romanticism engage in a dialogue, revealing as many differences as they do similarities. Wagner invites the listener into a contemplative state bordering on ecstasy, while the sensuality of Saint-Saëns’s Cello Concerto and Debussy’s Impressionist evocation of nature unfold.

Conducted by Aziz Shokhakimov, the Orchestre Philharmonique de Strasbourg presents a rare work by Camille Saint-Saëns: the Oratorio de Noël. Composed in 1858 when the composer was just 23 years old, this cantata-like work is rarely performed on stage, making its performance quite unprecedented.

フジテレビ系『名前をなくした女神』『最高の離婚』といったドラマをはじめ、映画や舞台など、俳優としての活躍を広げてきたEXILEのKEIJIが遂に地上波連続ドラマでの初主演をつとめることが決定！ 注目すべきその作品は、とあるカフェ・レストランを舞台にした『ムッシュ！』。CBC / TBSほかにて4月より放送予定です。 経営危機に陥ったレストランへやってきた一人の男……。パリで“ムッシュ”の称号を与えられたほどの腕前を持つ彼は、作った料理でお客さんの人生やレストランそのものを変えていく──。本ドラマにて凄腕の天才シェフを演じるKEIJI、実は調理師免許も取得しており、月刊誌などでの連載、川越達也シェフとコラボ商品を発表するなど、その腕前は確かなものだけに、今回の役柄もピッタリ。劇中に登場する料理にもKEIJIの意見が反映されているとのことで、そこも注目ポイントの一つとなっています。 地上波連ドラ初主演について、「緊張やプレッシャーもありますが、今までの舞台やドラマでの経験を活かして自分の持てる最大限の演技を見せられるように頑張ります。またコメディー要素もあるドラマなので、新たな自分を見て頂いて楽しさを伝えていきたいです」と、KEIJIは語っています！

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活跃于富士电视台系《失去名字的女神》《最完美的离婚》等电视剧，以及电影、舞台等领域的EXILE成员KEIJI，终于确定将首次主演地上波连续剧！备受瞩目的这部作品是以上述某家咖啡馆兼餐厅为舞台的《Mush！》，预计4月起在CBC、TBS等电视台播出。 一名男子来到陷入经营危机的餐厅……他拥有在巴黎获得“Mush”称号的高超厨艺，用自己制作的料理改变着顾客的人生和餐厅本身。此次在剧中饰演天才大厨的KEIJI，其实已经取得了厨师执照，还在月刊杂志等平台连载相关内容，发布了与川越达也厨师的合作商品，厨艺十分了得，此次的角色与他非常契合。据说剧中出现的料理也反映了KEIJI的意见，这一点也值得关注……

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The story of six men and one woman who, while exploring the underground part of an old palace, discover that they are trapped here and that there is no return. One can survive here, but is mere survival life? This is the question each of them asks, only the answers differ. A guide who is the epitome of a dictator type takes charge of the group. In a liminal fantasy situation, the characters of other, mutually unknown people are tested over time.